Friday, 1 April 2016

Photography Technical File- Whiteout and Gel lighting


 WHITEOUT 


Equipment:
  • Camera 550d 
  • stands, lights and soft box, beauty dish 
  • sync lead 
  • tether lead 
  • light meter 
  • 50mm lense 
  • Hot shoe adapter
We started off with trying out creating a whiteout which consists of two camera facing a white back drop. The light over exposes slightly to create an extremely white back ground. You don't want the lighting behind the model to be too over exposed otherwise it can start making the outline of the model disappear. We pulled down the white backdrop and set up to lights facing the backdrop using beauty dishes, we set up one camera facing the model to light up the front of the face. We set the camera to ISO 100, shutter speed 1/125 and the we tested the light meter on the model and changed the F stop to the same as the light meter. We then put the hot shoe adapter on the camera and plugged in the tether cable to allow the photos to come up on the computer. The photo below  is the outcome of trying a whiteout, I think the photo came out really clear and as you can see the back drop is definitely white. We also tried a 50mm lense however with this lense there is no zoom so you have to physically move yourself closer and further away from the model.




GEL LIGHTING 

It was our first time ever trying out gel lighting so with this experiment we tried out placing the lights in different positions and the effect it gave and the colours it would produce. We got given a box of different colour gels and got to choose which colour/colours we wanted. You can work with just one colour if you want however we decided to go for a combination of two colours to be able to let the colours mix. 


Firstly we tried a white background and we used the colour red over the light and placed it behind the model and as you can see the red is pushing through the hair and lighting up the outline of the head, in front but off to the side we had a blue gel light which gave it a light tint 



We then went over to the light with the blue sheet and we placed another blue sheet over the top to make the blue more prominent and then centered the light behind the head more so it bursts out the edges of the head. 



Finally we went for something a little darker so we turned off the lights in the studio and changed the backdrop, we kept the blue light off the side and red behind and then we also tried both lights behind so the red and blue light behind the model. I love the last photo as we caught a burst of light in the camera and think it makes the photo look very dreamy and beautiful. We tried to center the light behind the model to make sure you couldn't it but only the beams of colour through the hair and outlining the model. The colours beaming through and tinting the model creates a surreal feel and a seductive tone. 

The lesson definitely helped me with my photography skills and experimenting with different lighting and colours and also keeping my knowledge up with the camera and what setting to use for different shoots. This year is the first year we've started using a light meter and how it can correspond with the cameras shutter speed to make sure its the correct lighting, depending on how in focus the image is once you check it you might need to change the shutter speed to higher and test it. I definitely feel more confident with the camera now and each lesson I learn more and more and feel more confident.

 GEL LIGHTING 

https://s-media-cache-ak0.pinimg.com/236x/ed/34/1c/ed3
41c93454761179bb1407bb99809a1.jpg

https://s-media-cache-ak0.pinimg.com/236x/29/
8a/8a/298a8a74add292a994f46e7a67fb58e7.jpg

https://s-media-cache-ak0.pinimg.com/736x/b7
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Gel lighting can be placed anyway in position to the model to create the effect you want. The lighting can be lite with a tint of a colour and a white background or it can be harsh lighting and dark like the images above for example. The third photo is very dark and the colours are harsh and close to the model, I can see three colours in the photo, yellow/orange on the left side, blue more on the right side hitting the models left eye and then far over is a dash or red down the ear and side of the neck. It is all dependent on the placement of the lights and the colours being used.

Chanels Price Point

PRICE POINT

If you’ve bought a Chanel Classic Bag early on and you are aware of the current prices, then I have to say: ‘you deserve that smile on your face’. The higher the prices go, the more you fall in love. But have you ever wondered, how much your Chanel Classic Bag cost last year, five years or ten years ago? Price increases can be frustrating, especially for those who are saving money, chasing their dream bag and trying to keep up with the price. Each price increase must feel like a ‘nightmare’.

But price increases can work for you, those who are smart enough to invest in 2008 have seen the prices go up as fast as a rollercoaster goes down – since 2008, the prices have increased with more than $2,000 USD. Investing in a Chanel Classic Bag is safer than investing in the stock market as Chanel bags will only go up in prices and never go down, regardless of the economy.

I can throw ten reasons at those who are still waiting for the right moment, actually – today is the right moment, can you bare another price increase over a few months? Below are the  prices from 1955 to 2014 for the Chanel (reissue) 2.55 size 225.


2008-214 Price Change



How frequent does Chanel increase prices

It depends, from experience, they increase prices two or three times a year. Rarely do they increase one time . It usually happens in end of January or the first week of February, around the summer times and at the end of the year, in December. Chanel never give any warning, this will spoil the game, doesn’t. They never give the exact date or tell you when, even the information from your SA are just speculation.


Why Does Chanel Raise Prices?

One major cause is the inflation, basic economics – there is a high demand on quality raw materials, more demand means higher prices. If Chanel is paying a higher price for the lambskin leather, they will compensate the loss with your wallet.

Secondly, the cost of labor has gone up, your iconic Chanel bag is probably made in France, Italy or in rare occasion – Spain. We should be proud that their bags are still made in Europe, only then we can be certain of its quality.

Third reason is what I think, a marketing strategy. Price increases should drive customers way, but for Chanel, it works the opposite. The more we need to pay, the more we gossip and the circle of Chanel fans keeps getting bigger.


BEAUTY RANGING


MAKEUP 
  • Foundation: £32-£42.50 
  • Eye pencil: £17-£19 
  • Mascara: £25 
  • Eyeshadow: £23-£40 
  • Lip liner: £17.50 
  • Lip Gloss: £19-£26 
  • Lipstick: £25-£26 
  • Nails: £14-£25 
  • Brushes: £19-£42

SKINCARE
  • Cleanser, makeup remover and toner: £22-£110 
  • Moisturisers: £30-£240 
  • Complete anti-ageing: £69-£300 

WOMEN'S PERFUME
  • £49-£96



https://www.bragmybag.com/chanel-price-increase-over-the-years/

Chanel Spring/Summer 2016 Haute Couture Show


SPRING/SUMMER 2016 | COUTURE 
CHANEL
http://www.vogue.co.uk/fashion/spring-summer-2016/couture/chanel

Karl Lagerfeld created his own perfect eco system this morning, transforming the Grand Palais into an energy efficient zone where a modernist wooden house was positioned in the middle of sprawling manicured lawn surrounded by trees and a lily pond. There were even swarms of midges circling which had show-goers speculating that Karl had even orchestrated that. Quite possibly. If you're wondering what saving energy has to do with a lavish production of this scale, and haute couture - a world where your own G4 is the preferred mode of transport - all I can offer is that these are clothes intended for a lifetime; the absolute antithesis of fast fashion.

It was a celebration of nature, which gave rise to a bucolic springtime wardrobe, comprising a lot of beige. “Gabrielle Chanel was the queen of beige,” declared Lagerfeld, whose palette ran from straw and sand to putty, taupe and hessian. The focus was on the Chanel suit, which featured neat fitted jackets with oval sleeves partnered with skirts of varying silhouettes, from strict and midi length pencils to full skirts and breezy, wide culottes.

Pleated dresses were feather fine, while even woolly, natural coloured tweed skirts – where fragments of shaved wood was woven in – looked lightweight, with hemlines splaying into full fringes. That nod to nature extended into night-time hours too, a dress had sleeves embroidered with feathered bees, others boasted wooden birds, and of course petal appliques abounded. But the most magnificent arrived with capes that were painted and embellished in twinkling rhinestones.

And so to the finishing touches: crystal dragonflies, bees, and other bugs posed as brooches, shoes took the shape of a satin two-tone ballet pump atop a cork wedge and waists were accessorised with a chicer version of a bum bag – Chanel called it a smartphone pouch, because even an eco-girl needs to stay connected. Oh, and a note on the timber set, the house promises to recycle it.

THE CATWALK















MAKE-UP & HAIR 











BACKSTAGE 






http://www.chanel.com/en_GB/fashion/haute-couture.html



Spring-Summer 2016 Haute Couture Show - CHANEL


https://www.youtube.com/watch?v=aV75FYR_0xs

This years Haute Couture spring/summer 16 starred some beautiful neutral toned tweed suits and sparkling dresses. The 76 looks came out a large wooden box with doors and each model was kitted out with beautiful striking make-up, cat like eyes as the black liner lining over the top of the crease of the lid flicking out past the brow and a symmetrical line below the eye allowing the flicks to be parallel, the skin was flawless and slightly dewy and the lips kept natural. Makeup artist Tom Pecheux used elongated double strokes of liner to frame their eyes in seductive, feline fashion. The hair was super neat and sophisticated with the hair in a center parting or with a fringe and center parting and the back it slicked back and into a thick roll. Hairstylist Sam McKnight repeatedly compared the giant hair rolls models wore to croissants in his Instagram posts from the show. The hair inspiration was from the artist Picasso "The inspiration was a Picasso sculpture which Karl Lagerfeld showed me, with shaped hair in the back," McKnight tells Vogue UK. The whole look complimented every aspect of the styling from the hair to the make-up to the elegance throughout. The make-up is simple yet dramatic and the hair is sleek and sophisticated I think the look works really well together and could work very well in a editorial shoot and could bring elements of the haute couture spring/summer 2016 into one of my editorial shoots.



Instagram Images: sammcknight1

http://www.chanel.com/en_GB/fashion/haute-couture.html
http://www.vogue.co.uk/fashion/spring-summer-2016/couture/chanel

Wednesday, 30 March 2016

Chanels Iconic packaging


 "Packaging is powerful. It's not just what's on shelf that matters, but the unveiling process as well. The layers, the textures, the moment of anticipation, et voila." Rob Repta, Senior Designer and Social Media Strategist at Design Packaging, Inc

Nothing speaks to classic sophistication like the minimal black and white Chanel packaging. Luxury branding after all is all about simple, subtle, and understated quality. So I was surprised to find out where the inspiration for the interlocking "C" logo icon came from. Voguepedia reports that after Coco Chanel's mother died at age 31, "Gabrielle’s father sends his three daughters to the convent of Aubazine, where the nuns teach her discipline—and sewing. "The interlocking ‘C’ logo closely resembles the curved patterns featured in the stained glass windows of the church where she spent her childhood in an orphanage.

The black and white box design that houses Chanel No. 5 is the same as the original packaging used in 1921.
Read more at http://www.marieclaire.co.uk/blogs/542484/chanel-no-5.html#gUzaFRsu8khyMP2s.99
The black and white box design that houses Chanel No5 is the same as the original packaging used in 1921. Through Chanel packaging she shows a classic and timeless look for her products using the sophisticated look of black and white which could never out date.

This September, the HBA Global Expo will award its "Packaging Executive of the Year" award to Scott Widro, v.p. of materials management and manufacturing, Chanel. Widro's counterpart in Paris is Michel Dupuis, senior v.p. of package development in the Paris headquarters. The secret to Chanel's package design success is having long-term relationships with a relatively small number of suppliers and converters and having close control on every aspect of product and package production.
For instance, global launches are truly global launches of a singularly consistent product and package, coordinated to appear nearly simultaneously around the world. Dupuis says the Chanel packaging department operates under a kind of motto: "We have one product for one world."


The Chanel experience

As one would expect from a leading haute couture brand, consumer expectations of Chanel is no less than perfect quality. Widro asks rhetorically: "How do we separate ourselves from the rest of the pack? That's quality." Chanel is still a privately held company that prides itself on the all-natural ingredients of its products, the purity of design and materials, and the dedication to stay true to the Chanel tradition.

The consistency is the product and packaging is the primary goal, and Chanel is the only fashion company that owns and operates its own perfume manufacturing facilities, creates its own perfume concentr&eacut;e, and even selectively purchases the crops for the perfume ingredients.



Complete consistency
One of Chanel's secrets to success is their desire to partner with their packaging suppliers and forge long-term relationships. This year, Chanel held their sixth annual supplier symposium in Paris, where the company makes their current and future expectations clear. "We always try, as the French say, to be as 'transparent' as possible," says Widro.

"We have globalized the process," Widro continues. "From a quality standpoint, it makes a lot of sense." For instance, Widro believes there is no reason to waste effort developing more than one set of tooling for the entire world. This philosophy started in manufacturing, but has bled upstream into packaging, marketing, and advertising. Widro believes it promotes and maintains the highest level of quality—and most consistent message—across the board.

he essence of the brand

"We try to keep it simple and but elegant at the same time," says Widro. "There are not a lot of colors in the Chanel world." Aside from making the black as deeply black as possible, the Chanel palette rarely strays far from white, gold, beige, silver, and pink. Coco Chanel was definitely not a fan of heavy decoration, and believed that black and white, straight lines, and rectangular designs represented purity.

But Dupuis says simplicity is not always as easy as it looks. "It's very difficult to make something very simple, because small imperfections are more easily noticed." So tight quality control is essential for a pure glass, pure label, and pure product inside. Consumers may be surprised that the familiar smooth white label for the flagship No. 5 perfume package is not merely white nor merely smooth. A single supplier with a unique paper has kept the elegant label a consistent bright ivory shade with a subtle bumpy texture.

Of course, the exceptions prove the rule. Recent releases by Chanel have experimented with new shapes, colors, and materials. The new Chance women's perfume comes in a pink box and a circular bottle. The new line of Rouge Allure lipstick comes in a black lacquered case that hides a lipstick applicator in shiny gold. For both a visual and sensual experience, the components are aluminum, and the case opens and closes with a spring-loaded click of the thumb.


Sealing the deal

Dupuis says that design inspiration in Paris still goes back to the overall "Story of Chanel," and designers seek inspiration from the inspiration of Coco Chanel. He says the creative department plays with a great variety of materials, but always with an incredible sense of the detail.

Widro and Dupuis join in the Chanel ethos for continuous improvement, trying to move this brand "further on top." The active dialogue between design and package development is necessary for global launches of the highest quality and highest consistency. "We need to adopt these ideas to the real world," says Dupuis, pointing to specific Chanel design strategies.

For instance, when a customer opens up a Chanel box, they see the product right away so they can experience it immediately. "Does it really matter?" asks Widro. "Yes, it really does." Similarly, every compact comes in a velvet pouch. "The experience of opening it up and saying 'wow' is what we want," Widro says. "We talk about the experience a lot."

Not only does Chanel want consumers to have a singular experience when opening and using a Chanel package and product, they want them to have that same experience 10 years later and after many interactions with the package. In order to have that same fresh, new experience 10 years later, Chanel packages require purer materials, more durable labels, and more permanent coatings.


Accessible elegance?

Chanel, in the end, is a fashion company first and foremost. The company mission statement is: "The ultimate house of luxury now and forever." Widro explains that the focus of the company has never really changed. Chanel is an exclusive brand that everyone aspires to and everyone wants to touch.

Sometimes, however, the Chanel designers have to strike a balance between exclusivity and accessibility. "When you want to be on the top, it's difficult to have something for everyone," admits Dupuis. The reality today is that to keep their place in the luxury universe, elite brands also have to increase sales numbers in more accessible categories, like makeup and skin care, in a few select regions. Luxury companies like Chanel are looking to emerging markets like China and Russia to balance out the high-end offerings in the West.

Regardless, customers purchasing a Chanel product at a department store in Austria, Australia, or Austin are getting the same exact Chanel experience in both product and package. When a potential customer enters a department store, they are expecting a specific kind of Chanel experience.


http://socialandstyle.com/wp-content/uploads/2014/12/18-600x442.jpg
http://perfumesingapore.sg/wp-content/uploads/2012/
11/CHANEL-NO-5-EDP-SPRAY-FOR-WOMEN1.jpg



SOURCES: 
header image: https://40.media.tumblr.com/tumblr_lsbtmqhf0q1r0n2iso1_500.jpg
http://www.thedieline.com/blog/2013/10/16/a-historical-glimpse-behind-luxury-branding-packaging.html
http://www.marieclaire.co.uk/blogs/542484/chanel-no-5.html
http://www.packagedesignmag.com/content/singularly-coco-the-house-chanel-controls-every-detail-global-launches-classic-and-refined-p

Coco Chanel short Fashion Films

CHANEL

While on the train home and rather bored I started youtubing videos and I wanted to watch the  CHANEL N°5: The One That I Want - The Film because it is too die for and I can't stop watching it and listening to the slow version of you're the one that I want by Lo-Fang. While on youtube I am subscribed to Chanels channel and started looking for other short films by Chanel. In our lecture with Kat she had already showed us Chanel N°5 The one that I want with Gisele Bundchen, Coco Mademoiselle: The Film - CHANEL with Kiera Knightly and Le Film - Chanel N°5 with Nicole Kidman from Burlesque. I then decided to search Chanel's Youtube page and see what other short films I could find either based on Coco Chanel or the brand itself and its fashion history. Below I have linked the four short films I watched all of them were amazing, so interesting and really gave a an idea of the brand itself and its history and also telling a story created by Karl Lagerfeld featuring super models and singers in his short films. 


https://www.youtube.com/watch?v=sPNIaWc3Slo

This short film by Karl Lagerfeld which is called 'the return' is based on Coco Chanel life with her incredible brand. In December 1953, Coco Chanel began her incredible return to center stage. The designer reopens her Haute Couture house after fifteen years of absence. The collection is welcomed by the French press with an icy silence. Only the American media supports the looks that define the rebirth of Chanel's style. "The Return" retraces this determining period, that shaped the legend of the designer of rue Cambon forever. "The Return," imagined, written and directed by Karl Lagerfeld, features Geraldine Chaplin in the role of Gabrielle Chanel, Rupert Everett, Anna Mouglalis, Lady Amanda Harlech, Arielle Dombasle, Kati Nescher, Vincent Darré and Sam McKnight. After the opening of her line the audience wasn't too pleased however Chanel new she could make it and people would love it, after the recreation of the line it was highly praised and everyone loved it. It is so fascinating watching the history of Coco Chanel and how she build herself up and even after a 15 year absence she came back with glory and was adored. 

https://www.youtube.com/watch?v=0o9dTCl0hkY

The next short film I was was called 'once upon a time' by Karl Lagerfeld. It was set in Deauville 1913 when Chanel first opened her hat boutique. It was a brand new shop and the hats were out there and unique so was turned down by many because they did not understand fashion. The shop was called Gabrielle Chanel which is Coco Chanels real name before it changed and people claimed she has no tastes. Gabrielle was played by the lovely British actress Kiera Knightly. Chanel was trying to draw the attention of women who had style and elegance to wear her to be designer hats. Chanel had a certain taste and knew what she liked and what customers to attract. Once upon a time shows the build up of her Hat boutique and how she started with a empty shop and soon she was being sold out and everyone was trying to get hold of one of Chanels hats. She knew the clients she wanted she knew he style and look so she stayed strong to being unique at the time and eventually she opened more bigger stores. 


https://www.youtube.com/watch?v=X3_rl2fAyy4

This short film isn't about Chanels life or history however contains elements of Chanel in the film. It's called 'The tale of a fairy' by Karl Lagerfeld and starts with her sister coming to stay at her house when she is unwelcomed for a lengthened stay. The will is divided so the house is partly Lily's however she doesn't seem to have ever looked after it or taken an responsibility. The film has a lot of drama and interesting scene between characters and the life of a wealthy women however as it is called 'The tail of a fairy' a girl appears who is quite petite and masculine however is sometimes there and sometimes not. When she appears the film turns into black and white which I assume is not reality and it switched between and dream and not. I really enjoyed watching it as it was very interesting but I got a little lost with what was reality and who was who.



https://www.youtube.com/watch?v=wO4-TV6Zckc

The last film I watched starred Cara Delevingne and Pharrell Williams and is called 'reincarnation'. Cara serves as a waitress in a hotel/resturant and Pharrell serves as a elevator waiter. Chanel who leaves her table and collects her key number 5 and goes up to her room where the elevator waiter lets hers in to go up. It suddenly goes all dark as its the evening and everyone is in there rooms the clocks hits midnight and Cara and Pharrell come out both of the paintings where they meet for a dance and Pharrell and Cara sing. The morning comes and everyone is cleaning the lobby area and the paintings when Chanel comes out of the lift and asks the elevator man where he got his jacket from and he replies "They only made it for me" and Chanel responds with "Well I am going to make it for me". “Reincarnation” is the new short film created and directed by Karl Lagerfeld to accompany the CHANEL Paris-Salzburg 2014/15 Métiers d'art collection shown on December 2nd, 2014 in Salzburg. This new short film was the perfect opportunity for Karl Lagerfeld to develop an artistic collaboration with Pharrell Williams, a close friend of the House and personal friend of the designer. In fact, the artist composed and wrote the lyrics to "CC The World," the original soundtrack for Reincarnation, and he also plays one of the lead roles and will be, along with Cara Delevingne, the face of the upcoming campaign of the Paris-Salzburg 2014/15 Métiers d'art collection.


Watching these short fashion films including the ones on the life of Chanel and her history it really gives you and insight to the brand and how it was built up over the decades to what it is now today. I think the most interesting one to watch which  really enjoyed was 'The return' and 'Once upon a time' as its interesting watching her life and the success of the brand starting with a Hat shop and then her return after her absence and creating a new line that everyone will adore. I love fashion so watching these short films on Chanel success and the progression of her collection and fragrances really interests me. 

Tuesday, 29 March 2016

Chanel Presentation

| MY CHANEL POWER POINT |

In our recent lecture were told a week or so beforehand that we needed to created a power point based on our chosen brand and how far we have got with the project such as shoots, models, ideas etc. Below are screenshots from my power point.



I started off with my from page demonstrating my chosen brand and following onto the next slide with a little bit of history on Coco Chanel and the brand itself also noting what happened and different decades which got the brand where it is today. Also the iconic moments in her career with the brand such as Chanel number 5 and the little black dress including the Chanel suit in the 1920's. 


The next slide was based on product S/S 16 the make-up collection which is called Spring L.A. Sunrise. I wrote about the colours in the collection and the tones used for the spring collection which is flashes of purple, teal and green capture the cities carefree spirit,while a dreamy spectrum of pink, coral and raspberry shades evoke the California morning skies. 


I followed through with talking about the packaging and the overall look of the package. I spoke about the colours and why the Chanel packaging looks like it does. Its the purity of the design and materials and the dedication to stay true to the Chanel tradition. The packaging is kept simple and elegant at the same time, Chanel was not a fan of heavy decoration and likes the simple use of the three colours, black, white and gold. 


Next I spoke about the price point of Chanels beauty/make-up products. I went through the prices of the products such as the foundations and there ranging prices and lipsticks, nail varnish etc. I then looked at the skin care and it's ranging price and also perfume which ranges from £49-£96.


I thought presentation and promotion was a tricky one to fill because I didn't particularly know what information to write about within the brand. I started explaining the promotion and value of the brand today and how they promote themselves through social media etc and how they also promote using celebrity faces. The presentation is through the images I collaged around the text which includes a picture of there website so how they present it to people and how they promote themselves. I also included a photo of a billboard which is another way of promoting themselves and also the use of celebritis such as Marilyn Monroe. I also added a photo of the Chanel counter so show visually how it looks for both presentation and promotion. Over the years Chanel had build itself up to present itself as a sophisticated classic brand and promotes itself through media, celebrities, advertisement etc. 


The next slide was based on my upcoming shoots and what I've planned so far. At this point I don't have too many final ideas for the advertising shoot as my idea is quite broad at the moment. For the advertising shoots we have to create two looks one which is a day look and one evening. I have a basic visual idea for the look that I'm going for, for my ads however no any face charts or shoot planning yet. For the day look I'm going for something lighter with a bit more colour, the colours however have to match the Spring make-up collection. Above I chose a few photos from previous Chanel ads that I felt matched the look i'm going for and then I did the same for the evening look. I then added a few photos to the right showing other advertisements by Chanel just to get an idea.


Next was my two catwalk looks and what Ideas I had planned for them, I quite like the idea of someone doing the make-up behind scene or just a close up face shot of a 'behind the scenes' make-up look. Catwalk make-up can either be super quick and a simple look as they try to get the models on the runway as quick as possible or the make-up can be very dramatic and full on and can be rather crazy and out there. For my timed assessment it has to be one of my catwalk make-up looks so I need to start thinking and creating make-up ideas for possible looks for my catwalk starting with y timed assessment. On the right hand side at the bottom I added photos of the Chanel catwalk with the models on the runway and then above is more behind scenes getting close to the make-up.


Editorial can be very unique as the look can be very street, edgy or very smart and elegant. The spring/summer editorial shoots I noticed tend to be on location as it is summer time. Over the years for S/S they also used all the clothes from the S/S collection in the editorial shoots to represent the line. However I also noticed editorial was also very quirky with its clothes and compositions. I'm thinking of shooting two models outside for my editorial and basing the garments on the S/S 16 collection with a little edge to them. 


I have visual ideas about my shoots so far but nothing too extreme which I know is a little worrying as I haven't gotten to much. I need to now start getting models and really narrowing my idea down and planning it, firstly starting with creating face charts and testing looks for shoots and starting by booking the studio really for my first shoot. I also need to start creating a look for my catwalk for my timed assessment and use the class time to practice and develope/change my look if needed to be. Over the next week or so I need to focus on really cracking on with my ideas and try to start shooting. I think my power point really explained a lot and was able to provide evidence of Chanel brands and it development, the market, pricing, promotion, packaging and who was Coco Chanel. Finally I can start gathering make-up ideas from my previous blog posts and trends happening this year and start putting mood boards together to get and over all visual idea of the looks I will create.